Tuesday 29 October 2013

Week 6: trends

Week 6

 The trends industry


Trends and forecasting and it's influence on fashion fabric industry

- use trends books and journals they are used by the majority of commercial design companies who produce design work for all levels of the market
- lots of money in the trend industry
- fashion journalists to begin with in the 1950s
- today trends come from music, film, culture, social trends everything crosses over sometimes there is no boundaries
- Pantone colours are used
- published 18 months ahead of season

Trends and fashion the cycle
- trends companies send out their spotters to research looking at a variety of things
- some use sociologists and psychologists to get into the mind of people
- spotters report back and up and coming trends are decided upon
- from this information they produce trends books

- designers and buyers in high street companies use these trend books
- fabrics and garments are produced and put into a shop, a certain look in different shops is due to these books
- develop colour palettes
- if trends did not develop people would loose interest and companies wouldn't buy these books

Trends Companies

- collezioni- fabrics yarns and accessories
- viewpoint- the market lifestyle predicting new emerging trends
- mix- colour trend research from interiors to fashion, lifestyle
- view 2 - trend forecasting for fashion market specific trends
- international textile report- for textiles and fashion
- wgsn- fashion
- style.com fashion and accessories

Trends within interior and textiles

- come from trends and prediction companies
- trade shows
- trend forums
- film music fashion
- cross over from fashion graphics architecture
- reactions
- boutique hotels
- consumerisms
- journals
- new technologies and manufacturing options
- can be innovation led can be started by doing something new
Gift trends and forecasting
- prediction companies and trends used by most companies
- trade shows
- popular culture
- global trends many of the big gift conpanies send their designers on shopping trips
- consumerism
- new technologies
- journals

How do trends  affect me as a designer or maker

- whether your work to trends is your personal decision
- you can set your own trends through innovative concepts and ideas
- dependant on which areas your work in
- some independent designers are inspired by trends and this is reflective within the colours patterns they use

Working as a colour trend/creative fabric materials editor at a tend company

- face to face client meetings
- trade shows
- photoshoots
- art direction helping create bespoke designs for client trend books
- colour and trend consulting
- creative writing
- presentations
- attend trend panel meetings
- material styling


Task

- Research into a minimum 2 trend companies and update your blog

Sunday 27 October 2013

research task identifying a target market : week 5


- I am going to use the sheet given to us in the session as a base for my research task. I love finding new designer makers as there are so many that are not very well known but their work is so beautiful, i feel a really good website to find new designers is www.whatialwayswanted.com.
- In the future i can see myself doing gift design so i am using this task as a way of research to find out the products designers are offering, price range and styles etc.


designer found: Naughty dog

a little about the designer?

- ' The inspiration for Naughty Dog came after my brother’s naughty Saluki dog ate my pyjamas.
To commemorate the event, I decided to make a cushion with this much loved dog as a Christmas present and have been making them ever since.' 

www.whatialwayswanted.com/m48/naughty-dog

what products and services do they offer?

- mostly unique cushion covers, there is the occasional other gifts such as greeting cards or aprons. I love the designs that have dogs on. The way the designs are focused on dogs and the expression on the dogs face is really clever, the dogs texture and character is what helps the designer choose fabric, colour and texture. the range of her products also expands to cats, horses, rabbits and birds.

what material/techniques do they use? 

- embroidery hand and machine
- applique
- linen and vintage cotton
- digital print

how much do they sell their products for/where do they sit in the market- high end/middle end etc?

- middle end market
- sell through www.whatialwayswanted.com price range 30-40 pound

list their competitors? 

- tillyanna
- other designers on www.whatialwayswanted.com

what is their unique selling point (usp)? 

- its nice that you can send in a picture of family pets and have the product produced to look like them, this makes it a lovely unique gift
- every product would be different

how do they promote themselves/ what image are they trying to portray?

- she promotes herself by giving people the option to have a gift personalised
- there isnt a link to a website or a blog so she purely sells her items on www.whatialwayswanted.com

how would you describe the customer? i.e. age range/hobbies/male or female

- i feel these designs are most likely to attract a female audience due to the cuteness and sentimental value these products would have if personalised.
- attract those interested in gift design
- these products are for any age range

Identifying customers and target markets materials and techniques: week 5

Week 5

Identifying customers and target markets materials and techniques

Identification of your customer and target market

- target market- a specific group of customers which business aims it products at
- high end middle End market
- interior/architects/stylists/age/female etc

Material/technique choice

- digital or handcraft or mixture of both
- cost of using certain materials and techniques which ones are more viable which ones make more profit?
- could have a high end collection selling made to order and middle market  which sell in volume utilising cheaper manufacture costs good for shop and retail margins
- if working in a project to commission need to discuss material choices with clients
- sometimes cheaper to produce abroad
- all depends on your brand image how do you want people to perceive you

Negotiating ideas

- be assertive regarding your ideas together come up with a brief you are happy with
- try to understand the clients vision materials, ideas, colours, themes
- keep it directive to much choice can often mean the client demands more changes
- when negotiating ideas you may discuss
- project aims and objectives, creative direction inspiration

Freelancing
- independently, could be a daily or hourly rate per job if an individual approached you to do work for them
- contact other designers pretend you need a job doing
- freelance for a company
- freelance for a agent

Freelancing independently without agent
- you would have to pay for travel
- less time to do your work
- you have to be happy and confident to present your work
- you make contacts
- you have to chase up payments

Pros
- you get tot talk to the directly and build up a relationship
- you get 100% of money

Freelancing with a agent
pros
-agent does all the travelling selling etc
- no upfront cost for travel or trade shows

- the Agilent liaise with customer so any feedback is second hand
- your agent will have different designers artists on their books therefore your not their only priority
- they take a cut off design free you have to negotiate
- you have to find a agent, look at designers that inspire you and see who they are working for
- a successful relationship depends on communication and trust

Commissions based on your own work
- order for a piece of work you make it
- may have found you through website studio or word of mouth
- winning a commission often means theclient has come to you because they like your attitude and your designs
- direct commission: sat with client face to face and end user
- indirect commission: working through a gallery or agent like a middleman
- every commission will have a brief
- have a budget - vat delivery packaging
- deadline
- presentation

Time management
- makea. Dated action plan tick each job as you go
- if your struggling discusss options with clients
- set realistic timescales
- good time management is really important you are your motivation

Getting paid
- before you start project set realistic payment terms with your client di you need x amount upfront
- decided j terms of payment how long are you going to give them to pay you e.g. 30 days
- Send a polite email as a reminder for payment sometimes clients have forgotten
- if an email doesn't work pick up the phone

Working with difficult clients
- get everything in writing so you can go back to it if needed
- keep track of every stage of project record this down and send to client so they know where your at
- have a regular Skype meeting talk about difficulties
- try to listen to their opinion


In this session we were given a group task to research into a particular designer and fill out this form about them. the designer we were given was Lee Broom, i found this task really interesting and helpful i thoroughly enjoyed it. I have previously never heard of Lee Broom before, after doing this task i understand he is an interior based designer who offers very unique products. I feel his designs are quite futuristic and aimed at the high end market.
therefore as i found this task so useful, for my own research task i am going to use this sheet as a guideline to research into another designer, i will also in future use this to look into new designers as i feel it is a good way to get to know new or well known designers already established.

Friday 18 October 2013

research into designers: week 4


Rachael taylor 

Rachael Taylor is a fun, enthusiastic creative designer, illustrator & design consultant with over several years industry experience in a variety of fields. Specialising in surface pattern design, she developed her early signature style of layering, textures & quirky hand drawn linework. This style is present in both her screen print & digital work. '


www.rachaeltaylordesigns.co.uk


I love how in her work it does not include detailed precise drawings, it is all messy and freehand. i think this makes it more interesting and different. Even though some of her patterns are quite busy, the individual motifs you find in that print are so simple, it works really effectively when she layers these different motifs on top of each other.

here are some examples from her website which are prints she has designed for fashion, i think these work really well and catch my eye:

- http://www.rachaeltaylordesigns.co.uk/portfolio.php?page=fashion

i also really appreciate her interior designs:

http://www.rachaeltaylordesigns.co.uk/portfolio.php?page=interior

i usually look to buy her products on www.notonthehighstreet.com.

www.pinterest.co.uk 



surfacephillia


 ' Surfacephilia is a UK based surface design brand that creates luxurious bohemian patterns for the interiors and homeware marketSurfacephilia is a UK based surface design brand that creates luxurious bohemian patterns for the interiors and homeware market. Helen's hand rendered approach towards surface pattern has become her signature style, and her bold and experimental designs are built up using layering of intricate and often repetitive drawings, paintings and textures that have been lifted directly from precious sketchbook pages.' 


www.surfacephilia.co.uk 



my favourite product from surfacephillia is the wallpaper, i love how she uses sequins and native american jewelry in digital forms and combined this with geometric shapes and bold colours. i find her work very inspiring and unique. 




















www.surfacephilia.co.uk





Ella Doran 

Ella Doran is an award winning designer-entrepreneur who has been running her own East-London based business since graduating from college in the early 90s. Her main focus is on creating photography-based images and patterns and she pioneered their application on functional everyday products when digital printing technologies were first developed. Ella makes seasonal collections of ready-to-buy home accessories, stationery products and gifts and works to commission for commercial, charitable and private clients.' 

www.elladoran.co.uk 


my favourite design's by ella doran are her vintage/retro looking bike motifs and the old cameras stacked ontop of each other. i love how she uses not just the entire motif of the bike but uses the wheels aswell.  





i really adore these designs, they are so simple, old looking but really effective. In a future project i will collect old cameras from vintage markets and create some designs of my own. 

Careers and report topics: week 2

Careers and Report Topics

-  The report must be written on: “A chosen aspect of the appropriate creative industry”.

- These could be a career, work experience, experience of a trade show, business plan, self-employment or freelance work, shop report.

- Must make sure you are going to achieve the learning outcomes which are outlined in the brief. 

- Careers that could be a potential report topic:

- Designer
- Designer maker
- Teacher
- Stylist
- Buyer/merchandiser
- Gallery owner/curator
- Illustrator
- Art therapist/community arts
- Self-employment/freelance
- Arts event organiser

The report should: 

- demonstrate your understanding of my selected career and what I would do in that job.

- information on how I would gain a place in that specific job.

- knowledge of how the industry is structured. 

-Primary research from current professionals in the industry

Different careers require different research.

Research areas:

Internet:
- Skillset
creativeskillset.org/fashion_and_textiles/careers
- Trade associations
interiortextiles.co.uk
texi.org
creativeboom.co.uk


- For next week update blog with today's lecture notes and further research. 
- Begin thinking about area for report.
- Contact potential work experience if basing report on that.
-  do some Research into inspirational designers and designer makers.


Career identification group task

As I unfortuently missed this first lecture due to illness I gathered what I had to do from a friend and filled out the career form to my own personal preference since I wasn't in a group to be given one. 

Therefore I chose a textile designer to research into as I feel this is where my future could potentially lie and therefore would benefit me by knowing these specifications. 



I found this task really beneficial as it allowed me to research in depth my potential future. From my research I learned that quite a lot of textile roles cross each other. Therefore it is important to specifically find which area I could specialise in and also where my qualities/skills would suit best.  

I also found several websites that could help me find further information/inspiration on my chosen career. I especially liked www.embroidersguild.co.uk this website was full of diverse stitching and embroidery techniques, full of beautiful inspiration. 

I feel like in future I should revisit this sheet and see if my career option has changed. Therefore even if it does I have a guideline to help me research into that career instead and use this as a guideline. 

Tuesday 15 October 2013

The design meeting: week 4

Week 4- the design meeting


Clients

 - what type of clients could you be working for
- retailers- wholesale orders
- interior designers
- design companies
- architects
- stylists
- magazines, photo shoots
- direct customers buying products for their home , online shop
- selling to hotels and businesses

Where might you meet client?

- trade shows
- networking events
- website
- job for client, recommendation
- social networks
- marketing materials how well are you getting yourself out there

- When working with clients might be working with a team
- initial contact from client may be made via email
- to every email you send needs to be profession in every aspect
- some meetings are done via Skype
- sorting out times suitable for both parties

- might have to travel to meet client, could be a cafe or a restaurant


Portfolio presentation of work in a trade show

- designs are the first thing they will see
- print quality has to be amazing
- product arrangements
- colour schemes
- they way your brand is put together
- flooring wall lighting

How to draw attention to your stand?

- enthusiasm and charisma
- bear in mind language barriers

- business cards
- brochure of products
- price list
- website on display
- know your prices off by heart and the products demonstrating excellent knowledge of your brand, know how long a product will take when ordered

Meeting the client

- via Skype: you may have sent samples, may want to have your website open
- face to face: take paper samples aswell as digital. If no wifi save your work in PDF catalogues
- concept and mood board- digital, tactile

- make sure pork is clean simple snf easy to read
- no pixilated images
- how the work is photographed
- exchange business cards make sure these state your brand name website snf contact details
- keep your branding the same across all marketing, all logo has to be the same

The meeting

- types of designs the client wants
- how much control with client or the designer has
- processes to used
- length of project/lead time
- money how will you be paid
- contracts- license/royalties
- copyright
- they will want to know about you as a person your interests/background

Presentation of yourself

- smart and presentable
- enthusiastic
- ask questions
- be confident
- they will buy into your personality
- be assertive
- do not let them rip you off if there are certain aspects you are unsure of go away and do research before agreeing to anything

Tailoring your portfolio

- dependant on whichclient you are going to see
- showcase work that is more specific to the job they want and what they are asking you to do e.g surface print project show a project you have already done that shows this
- show your website
- create mock ups using photoshop so the client can visualise your ideas

Making amends

- do you charge for making out Amends? Make sure it is discussed before you start working out
- before you start job ask for a estimate state if more time is taken then extra money will be charged
- don't offer to much choice the client can often demand more make your services clear from the beginning

Designers to research

- to develop a better understanding of how to professionally present your brand have a look online how do they reach out to the client. Get in touch with them
- Esme winter
- rachelvtaylor
- mini moderns
- Jessica Hogarth
- Ella doran
-Naomi Paul
- surface Phillia

Task

- research into some of the designers mentioned
- carry on researching creative business paperwork
- start mind mapping ideas for your report


Sunday 13 October 2013

subject specific: week 3

Week 3

Subject specific

Aims
-interiors
- fashion
- gift
- designer makers
- possible careers
- paperwork involved contracts etc

Interiors
 product areas:

- Wallpaper
- Furnishing fabrics
- Flooring tiles
- Table top
- Bedding etc

Styles/considerations:

- contemporary
- traditional
- kids
- innovation

Market levels:

- kids
- woman's etc



Fashion
Product areas:
- men's,woman's, kids,baby,bridal,sportswear

Styles:
- Floral geometric graphic conversational concept led

Market levels:
- Couture high street
- Ready to wear


Gift

Product range:
- Cards gift tags, gift wrap, bags, boxes , calendars, posters, invitations, fastenings

For occasions: 
- birthday graduation wedding christening Baptisms

Seasonal:
- Christmas Easter new year men woman children

Age ranges birth - 100

Websites
Paper crave.com

Designer makers:

- Abigail brown
- Donna wilson
- Jonathon Adler


Careers:
possible careers

-Designer
-Designer maker
- teacher
- stylist
- buyer/merchandiser
- gallery owner
- illustrator
- art therapy
- arts event organiser

Pricing work-designs

- Furnishing designs ( a maker could sell a placement idea to a furnishing company or cushion prototype
- From 250 for a simple design up to 1000 for a complex design

Gift designs/ product prototype

- From 50 pound with royalties/ licensing. For a buy out from 150 upwards per design
- design boards would usually be 350+
- would be selling independently as a designer rather than a designer maker.
- rates are Negotiation

 Professional presentation and selling techniques- design samples

- work is presented to clients at design meeting or trade show often shown in collections of 4+ designs
- imagery can't be reaeated across designs 

Pricing work products as a designer maker

- no set price, depends on lots of variables
- perceived worth as a new graduate
- have a name for yourself then the opportunity for aspirations
- Pricing becomes a reality
- look at competitive pricing
- cost of material and overheads
-common sense
- retail pricing/ wholesale pricing allowing margins determined which processes you may use to produce work

Pricing work wholesale and retail

- Wholesale - bulk
- Retails- single

Wholesale price

- This is the price the designer received from the shop/gallery
- Rachael Taylor good example

Retail price  

- final price the shop or gallery sells the item for to the  public 
- this is negotiated
- up to 100 %on top of wholesale price plus vat 20% currently

Selling work having it manufactured

- designing ranges of products and having them commercially manufactured but keeping there own name on product

- you'd then add. Your own mark up before selling them onto retailers
- Many designers do this
- cath kidston
- Lisa stickley

Design products as a maker

- a stand at a trade show will be used as an exhibitition space to display and must include a pricing either on product or price list
- imagery can bet expected across designs as you are selling work as a final product with your name on it
- a buyer would order an amount of finished products from you to sell
- in a craft fist you are selling directly to the customer

Invoices

- you will need to invoice customers and clients. For jobs and productsordered
- letter headed paper with brand logo visible and vat registration number if applicable
- company address emal website telephone invoice number
-A customer address
- date of invoice e
- payment terms how long does the customer have to pay?
- description/ quantity/ unit price/ amount/ vat/total
- save as PDF and email

Contracts 

- as a designer creating a selling work having a contracted in place is very important
- the company you are working for can devise them or can create your own working alongside the company and come up with an agreement that you both agree with

types of agreements: 

- exclusive design license agreement
- royalty agreement
- exclusive agency contracts
- standard terms of trading via the internet
- confidentiality agreement
- intellectual property agreement
- freelance designer agreement
- commercial agents agreement

Both client and designer must sign a copy

- Www.acid.uk.com

- research different types of contract you may be using  in the future


Other factors to consider working as a designer or maker

- marketing, promoting your brand via magazine and your website your shop window, how to keep customers interested. Social media such as face book twitter, and blogs. Organising trade shows and designing newsletters to keep people interested

- press, launching new collections snf working with timescales. Contacting press, writing press release, and sending high res imagery

- finance, business expenditure, income, capital expenditure, balance sheets, self assessment and budgets

- you have to learn to juggle different roles and pay close attention to each one

- research creative business paper work, look into contracts and invoices
- update with today's lecture


Research into contracts


I am still currently unsure about which approach i would like to take when i graduate. However, i am interested at looking more into becoming a freelance designer. Therefore, i thought it would be appropriate to use www.acid.uk.com to look at a freelance designer agreement.

GENERIC AGREEMENTS

Our generic agreements have been created to help you protect your best assets.
Become an ACID Member for special rates on our agreements and products.

ACID FREELANCE DESIGNER AGREEMENT

000215
The ACID Freelance Designer Agreement is more likely to be used in the case of a commissioned work, particularly with designs protected by copyright. This is because the position in copyright is that the author/creator of the work automatically owns the intellectual property rights in the work, not someone who has commissioned the work. However, there are also certain circumstances in which an agreement about who is to own the intellectual property rights can be implied.
It is therefore always advisable in a commission situation to obtain a written assignment of the intellectual property rights from the designer in order to ensure that there is no dispute about who was intended to own the intellectual property rights later on.
The Freelance Designer Agreement also takes into account the possibility of further designs being created by the freelance designer at a later date which are also intended to be owned by the commissioner of the designs. The Freelance Designer Agreement should therefore be used wherever there is an ongoing relationship between the parties. The Freelance Designer Agreement is also an assignment for £1. It should not be altered to the commission fee agreed between the parties without appropriate legal advice.
Representations of the design or designs being sold should be attached in the schedule at the end of the agreement and the schedule should be updated whenever any further designs are created
£ 54.00
sourced from www.acid.uk.com


GENERIC AGREEMENTS

Our generic agreements have been created to help you protect your best assets.
Become an ACID Member for special rates on our agreements and products.

ACID STANDARD TERMS AND CONDITIONS OF BUSINESS

000205
This agreement is a reusable legal document template which you can alter to include names, dates, addresses etc. There may be some clauses which need to be amended or deleted as they do not apply to your circumstances. This is because the document is designed as a general document to cover most commercial situations and therefore certain wording may not be appropriate, or suitable, for all situations. As this agreement has not been drafted specifically for your circumstances, it is strongly advised, once you have made the appropriate changes to meet your business requirements, that you check it with your solicitor or with an ACID Accredited lawyer before using it, in order to ensure that the document suits your particular circumstances. No liability is accepted by ACID or any ACID Accredited Law Firm.

although im not considering selling my work through an agent, i feel it would be a good idea to have an awareness of this contract regardless.


GENERIC AGREEMENTS

Our generic agreements have been created to help you protect your best assets.
Become an ACID Member for special rates on our agreements and products.

ACID COMMERCIAL AGENTS AGREEMENT

000315
If you are thinking of selling your products using Agents then you need to make sure that you have a contract with them.  When employing an Agent you need to establish what it is you want them to do, what products they are expected to sell on your behalf, which areas of the Country you are expecting them to sell your products and when you will pay them.   Employing an agent is covered by the Commercial Agents Regulations under European Legislation, which must be adhered to.  The key factor in the regulations is that Agents are entitled to compensation in most circumstances where their agency arrangement is terminated.
Entering into an Agency agreement with your Agent will establish what you expect from each other.  It will also ensure that your relationship is properly set out and governed by the relevant law.
£ 90.00


what is intellectual property?

- term for the rights a designer has regarding copyright, unregistered design rights, registered design rights, patents, trade marks, passing office, utility models and law of confidence.
- regards to work that can be protected.
- these rights give the owner the right to decide who would use their designs



WHAT IS COPYRIGHT (UK) – 2d DESIGNS
  1. Copyright will exist in 'artistic works', covering works such as paintings, drawings, fabrics, diagrams, and photographs. These are protected irrespective of the artistic quality. Surface decoration on 3-D designs can also be covered by copyright. (Note however that you cannot usually enforce copyright in a design drawing to prevent someone from making an article to the design shown).
  2. The work must be ORIGINAL. The author must use his own skill to create the work, so the design must not have been copied from an existing design.
  3. No formalities are required. The right is automatically created once the design is recorded in some permanent form.
  4. The ownership of copyright will rest initially with either the creator or their employer.
  5. Copyright lasts for the life of the creator plus 70 years following their death. However, if an artistic work is commercially exploited (e.g. a fabric design) this period is usually reduced to 25 years protection from the end of the first year of commercial exploitation. Copyight will be infringed if the design is copied and the copy features important parts taken from the design (the copy does not have to look similar to the design).

    www.acid.uk.com

Wednesday 9 October 2013

Inspirational designer makers week 3

Miss print

' Miss print produce beautifully designed, contemporary accessories and wall coverings all originating from hand drawn illustrations. All MissPrint products are produced in the list environmentally friendly way. Our entire wallpaper range is PEFC certified, it is printed with organic pigment inks, which are non toxic, free of heavy metals and classes as non- carcinogenic' 

Sourced from www.MissPrint.co.uk

Miss print was one of the first designer makers I found whilst doing a research task in my first year. And ever since I love following and keeping up with this designer maker. I love how simple yet effective the designs are and how full of colour they are. I like how everything is handrawn but looks so abstract when printed. I am due a trip to London this year so I will definitely be taking a trip into john Lewis's which is a stockist for MissPrint. 




Images from www.missprint.co.uk

Tracy Kendall 

'Tracy Kendall is a wallpaper designer whose unique and innovative wall coverings have a strong sense of British inventiveness and eccentricity'

Sourced from
www.tracykendall.com 

One aspect of this designer maker that I adore specifically is the wall murals. They capture such simplicity by just been monochrome but this works so effectively. 



Images from www.tracykendall.com

These two wall murals are my favourite, I think the idea of having these in the rooms of my house would really give the room originality and decoration. I think the techniques used in the original drawings to produce these has worked exellently in the final product. I aspire myself to create wall murals, i really think they are such an easy way of bringing a wall to life without wallpapering.

Tracy Kendall was also a nominee for the Elle Decoration British Design Awards 2013.


www.whatialwayswant.com

I came across this website looking for designer makers, it allows designers to sell their work through this website. Therefore, is full of inspirational designers to look at.

on this website i came across 'Mini munchkins' who are a small family run business from North Yorkshire who create baby gifts that are traditional with a twist.

'Our aim is to produce pretty, unusual gifts that are special enough for that perfect little person. Using a range of techniques many of our items feature hand embroidery which although extremely time consuming gives a perfect delicate finish.' 

sourced from www.whatialwayswanted.com 

here are some examples of their products 

http://www.whatialwayswanted.com/m61/Mini-Munchkins/p845/down-on-the-farm-small-print/product_info.html 

http://www.whatialwayswanted.com/m61/Mini-Munchkins/p841/new-baby-girl-gift-set/product_info.html

http://www.whatialwayswanted.com/m61/Mini-Munchkins/p840/new-baby-boy-gift-set/product_info.html